Thursday, March 31, 2011
Don and Joan Glasgow
Don and Joan Glasgow
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel i realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whil. After all,
she said she had the best teacher around. Don says she is
the best student.
The shows started in college and soon after entered the
first competition at the Denver Art Museum.
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel i realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whil. After all,
she said she had the best teacher around. Don says she is
the best student.
The shows started in college and soon after entered the
first competition at the Denver Art Museum.
James and Nan McKinnell
James and Nan McKinnell
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
Don and Joan Glasgow
Don and Joan Glasgow
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel i realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whil. After all,
she said she had the best teacher around. Don says she is
the best student.
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel i realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whil. After all,
she said she had the best teacher around. Don says she is
the best student.
James and Nan McKinnell
James and Nan McKinnell
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
Don and Joan Glasgow
Don and Joan Glasgow
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel i realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whil. After all,
she said she had the best teacher around. Don says she is
the best student.
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel i realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whil. After all,
she said she had the best teacher around. Don says she is
the best student.
Politics and Pots
Politics and Pots
by Thomas G. Turnquist
All of life consists of many things including politics. Clay is not void of politics by any
stretch of the wildest imaginations. Each and every potter or clay artist has views or twists
that they cling to with some passion. A high perecntage potters and clay scuptors tend to
lean to the left when it comes to American politics. If you are a conservative in your views
and mention that fact to some clay artists you become a cretin and racist in their
closed minds. I have run into this on several occasions. If you do not march to the
tunes of the left, you become a malaprop. One would think that artists would be or should
be open and eager to discuss all matters in an adult and calm venue. The world of American
clay must be a home for change and growth and not a filter that blocks selected opposing
views.
I have been collecting American pottery for thirty years. Not once did I buy an artist's
work based on age, gender, or color. The only thing of importance was quality of
work. It is the work not the politics. It is the creativity. No one needs to be involved
in pettifoggery.
by Thomas G. Turnquist
All of life consists of many things including politics. Clay is not void of politics by any
stretch of the wildest imaginations. Each and every potter or clay artist has views or twists
that they cling to with some passion. A high perecntage potters and clay scuptors tend to
lean to the left when it comes to American politics. If you are a conservative in your views
and mention that fact to some clay artists you become a cretin and racist in their
closed minds. I have run into this on several occasions. If you do not march to the
tunes of the left, you become a malaprop. One would think that artists would be or should
be open and eager to discuss all matters in an adult and calm venue. The world of American
clay must be a home for change and growth and not a filter that blocks selected opposing
views.
I have been collecting American pottery for thirty years. Not once did I buy an artist's
work based on age, gender, or color. The only thing of importance was quality of
work. It is the work not the politics. It is the creativity. No one needs to be involved
in pettifoggery.
Wednesday, March 30, 2011
Don and Joan Glasgow
Don and Joan Glasgow
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel i realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whil. After all,
she said she had the best teacher around. Don says she is
the best student.
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel i realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whil. After all,
she said she had the best teacher around. Don says she is
the best student.
James and Nan McKinnell
James and Nan McKinnell
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
James and Nan McKinnell
James and Nan McKinnell
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
Don and Joan Glasgow
Don and Joan Glasgow
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel i realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whil. After all,
she said she had the best teacher around. Don says she is
the best student.
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel i realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whil. After all,
she said she had the best teacher around. Don says she is
the best student.
Politics and Pots
Politics and Pots
by Thomas G. Turnquist
All of life consists of many things including politics. Clay is not void of politics by any
stretch of the wildest imaginations. Each and every potter or clay artist has views or twists
that they cling to with some passion. A high perecntage potters and clay scuptors tend to
lean to the left when it comes to American politics. If you are a conservative in your views
and mention that fact to some clay artists you become a cretin and racist in their
closed minds. I have run into this on several occasions. If you do not march to the
tunes of the left, you become a malaprop. One would think that artists would be or should
be open and eager to discuss all matters in an adult and calm venue. The world of American
clay must be a home for change and growth and not a filter that blocks selected opposing
views.
I have been collecting American pottery for thirty years. Not once did I buy an artist's
work based on age, gender, or color. The only thing of importance was quality of
work. It is the work not the politics. It is the creativity. No one needs to be involved
in pettifoggery.
by Thomas G. Turnquist
All of life consists of many things including politics. Clay is not void of politics by any
stretch of the wildest imaginations. Each and every potter or clay artist has views or twists
that they cling to with some passion. A high perecntage potters and clay scuptors tend to
lean to the left when it comes to American politics. If you are a conservative in your views
and mention that fact to some clay artists you become a cretin and racist in their
closed minds. I have run into this on several occasions. If you do not march to the
tunes of the left, you become a malaprop. One would think that artists would be or should
be open and eager to discuss all matters in an adult and calm venue. The world of American
clay must be a home for change and growth and not a filter that blocks selected opposing
views.
I have been collecting American pottery for thirty years. Not once did I buy an artist's
work based on age, gender, or color. The only thing of importance was quality of
work. It is the work not the politics. It is the creativity. No one needs to be involved
in pettifoggery.
Pearl James
Data provided from Rocky Mountain News
Written by Roger Fillion
Subject: Pearl James
Pearl James was on a mission when she threww platters, casserols,
teapots and other ware on the potters wheel at her Denver studio. Mrs James would
desend the stairs to the studio, located in her home's basement at 8:am. and not
emerge until lunch. After lunch she went back to work returning to the upstairs
until 4:pm. to hae a cocktail. She was a member othe Colorado potters guild
Pearl James was a very important studio potter in Denver. She gave a great deal
of time and energy to the clay community.
Written by Roger Fillion
Subject: Pearl James
Pearl James was on a mission when she threww platters, casserols,
teapots and other ware on the potters wheel at her Denver studio. Mrs James would
desend the stairs to the studio, located in her home's basement at 8:am. and not
emerge until lunch. After lunch she went back to work returning to the upstairs
until 4:pm. to hae a cocktail. She was a member othe Colorado potters guild
Pearl James was a very important studio potter in Denver. She gave a great deal
of time and energy to the clay community.
James and Nan McKinnell
James and Nan McKinnell
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
Tuesday, March 29, 2011
Ruth S. Perdew-Bio Sketch
Ruth S. Perdew-Bio Sketch
Her interest in making pottery began after she took a class in pottery. Her teacher was noted Denver potter Maynard Tischler. She became very interested in learning how to become a
better potter.and make more complicated pots. She contined taking additional classes.
She had a friend who helped her get to the Colorado Potters Guild. She encouraged her
to apply for membership. She was accepted to the Colorado potters Guild. By being
a member, she entitled to you the kilns and all the neessary items for making pots.
During the years she was a member she made and sold many pieces. Most of the creations
were functional in nature.lile bowls, vases. Ruth worked with stoneware.Stoneware was
her chice of clay bodies. She was a vital clay artist who contributed much to denver clay.
She remains very interested in pottery and clay.
Ruth was also a noted piano teacher in Denver for over twenty years.
Her interest in making pottery began after she took a class in pottery. Her teacher was noted Denver potter Maynard Tischler. She became very interested in learning how to become a
better potter.and make more complicated pots. She contined taking additional classes.
She had a friend who helped her get to the Colorado Potters Guild. She encouraged her
to apply for membership. She was accepted to the Colorado potters Guild. By being
a member, she entitled to you the kilns and all the neessary items for making pots.
During the years she was a member she made and sold many pieces. Most of the creations
were functional in nature.lile bowls, vases. Ruth worked with stoneware.Stoneware was
her chice of clay bodies. She was a vital clay artist who contributed much to denver clay.
She remains very interested in pottery and clay.
Ruth was also a noted piano teacher in Denver for over twenty years.
Pearl James
Data provided from Rocky Mountain News
Written by Roger Fillion
Subject: Pearl James
Pearl James was on a mission when she threww platters, casserols,
teapots and other ware on the potters wheel at her Denver studio. Mrs James would
desend the stairs to the studio, located in her home's basement at 8:am. and not
emerge until lunch. After lunch she went back to work returning to the upstairs
until 4:pm. to hae a cocktail. She was a member othe Colorado potters guild
Pearl James was a very important studio potter in Denver. She gave a great deal
of time and energy to the clay community.
Written by Roger Fillion
Subject: Pearl James
Pearl James was on a mission when she threww platters, casserols,
teapots and other ware on the potters wheel at her Denver studio. Mrs James would
desend the stairs to the studio, located in her home's basement at 8:am. and not
emerge until lunch. After lunch she went back to work returning to the upstairs
until 4:pm. to hae a cocktail. She was a member othe Colorado potters guild
Pearl James was a very important studio potter in Denver. She gave a great deal
of time and energy to the clay community.
Politics and Pots
Politics and Pots
by Thomas G. Turnquist
All of life consists of many things including politics. Clay is not void of politics by any
stretch of the wildest imaginations. Each and every potter or clay artist has views or twists
that they cling to with some passion. A high perecntage potters and clay scuptors tend to
lean to the left when it comes to American politics. If you are a conservative in your views
and mention that fact to some clay artists you become a cretin and racist in their
closed minds. I have run into this on several occasions. If you do not march to the
tunes of the left, you become a malaprop. One would think that artists would be or should
be open and eager to discuss all matters in an adult and calm venue. The world of American
clay must be a home for change and growth and not a filter that blocks selected opposing
views.
I have been collecting American pottery for thirty years. Not once did I buy an artist's
work based on age, gender, or color. The only thing of importance was quality of
work. It is the work not the politics. It is the creativity. No one needs to be involved
in pettifoggery.
by Thomas G. Turnquist
All of life consists of many things including politics. Clay is not void of politics by any
stretch of the wildest imaginations. Each and every potter or clay artist has views or twists
that they cling to with some passion. A high perecntage potters and clay scuptors tend to
lean to the left when it comes to American politics. If you are a conservative in your views
and mention that fact to some clay artists you become a cretin and racist in their
closed minds. I have run into this on several occasions. If you do not march to the
tunes of the left, you become a malaprop. One would think that artists would be or should
be open and eager to discuss all matters in an adult and calm venue. The world of American
clay must be a home for change and growth and not a filter that blocks selected opposing
views.
I have been collecting American pottery for thirty years. Not once did I buy an artist's
work based on age, gender, or color. The only thing of importance was quality of
work. It is the work not the politics. It is the creativity. No one needs to be involved
in pettifoggery.
James and Nan McKinnell
James and Nan McKinnell
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
Monday, March 28, 2011
Don and Joan Glasgow
Don and Joan Glasgow
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel i realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whil. After all,
she said she had the best teacher around. Don says she is
the best student.
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel i realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whil. After all,
she said she had the best teacher around. Don says she is
the best student.
Perdew Pottery
Ruth S. Perdew-Bio Sketch
Her interest in making pottery began after she took a class in pottery. Her teacher was noted Denver potter Maynard Tischler. She became very interested in learning how to become a
better potter.and make more complicated pots. She contined taking additional classes.
She had a friend who helped her get to the Colorado Potters Guild. She encouraged her
to apply for membership. She was accepted to the Colorado potters Guild. By being
a member, she entitled to you the kilns and all the neessary items for making pots.
During the years she was a member she made and sold many pieces. Most of the creations
were functional in nature.lile bowls, vases. Ruth worked with stoneware.Stoneware was
her chice of clay bodies. She was a vital clay artist who contributed much to denver clay.
She remains very interested in pottery and clay arts.
Her interest in making pottery began after she took a class in pottery. Her teacher was noted Denver potter Maynard Tischler. She became very interested in learning how to become a
better potter.and make more complicated pots. She contined taking additional classes.
She had a friend who helped her get to the Colorado Potters Guild. She encouraged her
to apply for membership. She was accepted to the Colorado potters Guild. By being
a member, she entitled to you the kilns and all the neessary items for making pots.
During the years she was a member she made and sold many pieces. Most of the creations
were functional in nature.lile bowls, vases. Ruth worked with stoneware.Stoneware was
her chice of clay bodies. She was a vital clay artist who contributed much to denver clay.
She remains very interested in pottery and clay arts.
James and Nan McKinnell
James and Nan McKinnell
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
Pearl James
Data provided from Rocky Mountain News
Written by Roger Fillion
Subject: Pearl James
Pearl James was on a mission when she threww platters, casserols,
teapots and other ware on the potters wheel at her Denver studio. Mrs James would
desend the stairs to the studio, located in her home's basement at 8:am. and not
emerge until lunch. After lunch she went back to work returning to the upstairs
until 4:pm. to hae a cocktail. She was a member othe Colorado potters guild
Pearl James was a very important studio potter in Denver. She gave a great deal
of time and energy to the clay community.
Written by Roger Fillion
Subject: Pearl James
Pearl James was on a mission when she threww platters, casserols,
teapots and other ware on the potters wheel at her Denver studio. Mrs James would
desend the stairs to the studio, located in her home's basement at 8:am. and not
emerge until lunch. After lunch she went back to work returning to the upstairs
until 4:pm. to hae a cocktail. She was a member othe Colorado potters guild
Pearl James was a very important studio potter in Denver. She gave a great deal
of time and energy to the clay community.
James and Nan McKinnell
James and Nan McKinnell
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
Pearl James
Data provided from Rocky Mountain News
Written by Roger Fillion
Subject: Pearl James
Pearl James was on a mission when she threww platters, casserols,
teapots and other ware on the potters wheel at her Denver studio. Mrs James would
desend the stairs to the studio, located in her home's basement at 8:am. and not
emerge until lunch. After lunch she went back to work returning to the upstairs
until 4:pm. to hae a cocktail. She was a member othe Colorado potters guild
Pearl James was a very important studio potter in Denver. She gave a great deal
of time and energy to the clay community.
Written by Roger Fillion
Subject: Pearl James
Pearl James was on a mission when she threww platters, casserols,
teapots and other ware on the potters wheel at her Denver studio. Mrs James would
desend the stairs to the studio, located in her home's basement at 8:am. and not
emerge until lunch. After lunch she went back to work returning to the upstairs
until 4:pm. to hae a cocktail. She was a member othe Colorado potters guild
Pearl James was a very important studio potter in Denver. She gave a great deal
of time and energy to the clay community.
Sunday, March 27, 2011
James and Nan McKinnell
James and Nan McKinnell
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
Ruth Perdew Pottery
Ruth S. Perdew-Bio Sketch
Her interest in making pottery began after she took a class in pottery. Her teacher was noted Denver potter Maynard Tischler. She became very interested in learning how to become a
better potter.and make more complicated pots. She contined taking additional classes.
She had a friend who helped her get to the Colorado Potters Guild. She encouraged her
to apply for membership. She was accepted to the Colorado potters Guild. By being
a member, she entitled to you the kilns and all the neessary items for making pots.
During the years she was a member she made and sold many pieces. Most of the creations
were functional in nature.lile bowls, vases. Ruth worked with stoneware.Stoneware was
her chice of clay bodies. She was a vital clay artist who contributed much to denver clay.
She remains very interested in pottery and clay.
Ruth was also a noted piano teacher in Denver for over twenty years.
Her interest in making pottery began after she took a class in pottery. Her teacher was noted Denver potter Maynard Tischler. She became very interested in learning how to become a
better potter.and make more complicated pots. She contined taking additional classes.
She had a friend who helped her get to the Colorado Potters Guild. She encouraged her
to apply for membership. She was accepted to the Colorado potters Guild. By being
a member, she entitled to you the kilns and all the neessary items for making pots.
During the years she was a member she made and sold many pieces. Most of the creations
were functional in nature.lile bowls, vases. Ruth worked with stoneware.Stoneware was
her chice of clay bodies. She was a vital clay artist who contributed much to denver clay.
She remains very interested in pottery and clay.
Ruth was also a noted piano teacher in Denver for over twenty years.
James and Nan McKinnell
James and Nan McKinnell
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
Pearl James
Data provided from Rocky Mountain News
Written by Roger Fillion
Subject: Pearl James
Pearl James was on a mission when she threww platters, casserols,
teapots and other ware on the potters wheel at her Denver studio. Mrs James would
desend the stairs to the studio, located in her home's basement at 8:am. and not
emerge until lunch. After lunch she went back to work returning to the upstairs
until 4:pm. to hae a cocktail. She was a member othe Colorado potters guild
Pearl James was a very important studio potter in Denver. She gave a great deal
of time and energy to the clay community.
Written by Roger Fillion
Subject: Pearl James
Pearl James was on a mission when she threww platters, casserols,
teapots and other ware on the potters wheel at her Denver studio. Mrs James would
desend the stairs to the studio, located in her home's basement at 8:am. and not
emerge until lunch. After lunch she went back to work returning to the upstairs
until 4:pm. to hae a cocktail. She was a member othe Colorado potters guild
Pearl James was a very important studio potter in Denver. She gave a great deal
of time and energy to the clay community.
James and Nan McKinnell
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
Saturday, March 26, 2011
James and Nan McKinnell
James and Nan McKinnell
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
James and Nan McKinnell
James and Nan McKinnell
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
Pear James Pottery
Data provided from Rocky Mountain News
Written by Roger Fillion
Subject: Pearl James
Pearl James was on a mission when she threww platters, casserols,
teapots and other ware on the potters wheel at her Denver studio. Mrs James would
desend the stairs to the studio, located in her home's basement at 8:am. and not
emerge until lunch. After lunch she went back to work returning to the upstairs
until 4:pm. to hae a cocktail. She was a member othe Colorado potters guild
Pearl James was a very important studio potter in Denver. She gave a great deal
of time and energy to the clay community.
Written by Roger Fillion
Subject: Pearl James
Pearl James was on a mission when she threww platters, casserols,
teapots and other ware on the potters wheel at her Denver studio. Mrs James would
desend the stairs to the studio, located in her home's basement at 8:am. and not
emerge until lunch. After lunch she went back to work returning to the upstairs
until 4:pm. to hae a cocktail. She was a member othe Colorado potters guild
Pearl James was a very important studio potter in Denver. She gave a great deal
of time and energy to the clay community.
Friday, March 25, 2011
Glasgow Studio Pottery
Don and Joan Glasgow
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel i realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whil. After all,
she said she had the best teacher around. Don says she is
the best student.
The shows started in college and soon after entered the
first competition at the Denver Art Museum.
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel i realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whil. After all,
she said she had the best teacher around. Don says she is
the best student.
The shows started in college and soon after entered the
first competition at the Denver Art Museum.
James and Nan McKinnell
James and Nan McKinnell
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
Glasgow Pottery
Don and Joan Glasgow
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel i realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whil. After all,
she said she had the best teacher around. Don says she is
the best student.
The shows started in college and soon after entered the
first competition at the Denver Art Museum.
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel i realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whil. After all,
she said she had the best teacher around. Don says she is
the best student.
The shows started in college and soon after entered the
first competition at the Denver Art Museum.
The Quiet Tea Bowl
The Quiet Tea Bowl
A fine clay tea bowl is one of man's most wonderful creations. An object that is so very basic
but at the same time is also very complex. It is quiet but sends a powerful spitual feeling.
A clay oxymoron. The tea bowl is totally functional in a real sense and at the same time
it is an object of beauty. The tea bowl can nurture both the body and the soul. There exists
in the tea bowl the strength to elevate the mundane and honor the noble craftsman.
The humble tea bowl, for centuries, has been a icon for simplcity and calm. In our busy
lives most people never have the time or any inclination to reflect and ponder. The ipod
does not offer quiet and peace but coats our souls in brashness and glitter. What would Walt
Whitman think if he could view the 21st century?
Tom and Denise Turnquist
A fine clay tea bowl is one of man's most wonderful creations. An object that is so very basic
but at the same time is also very complex. It is quiet but sends a powerful spitual feeling.
A clay oxymoron. The tea bowl is totally functional in a real sense and at the same time
it is an object of beauty. The tea bowl can nurture both the body and the soul. There exists
in the tea bowl the strength to elevate the mundane and honor the noble craftsman.
The humble tea bowl, for centuries, has been a icon for simplcity and calm. In our busy
lives most people never have the time or any inclination to reflect and ponder. The ipod
does not offer quiet and peace but coats our souls in brashness and glitter. What would Walt
Whitman think if he could view the 21st century?
Tom and Denise Turnquist
Glasgow Pottery
Don and Joan Glasgow
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel i realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whil. After all,
she said she had the best teacher around. Don says she is
the best student.
The shows started in college and soon after entered the
first competition at the Denver Art Museum.
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel i realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whil. After all,
she said she had the best teacher around. Don says she is
the best student.
The shows started in college and soon after entered the
first competition at the Denver Art Museum.
Pearl James
Data provided from Rocky Mountain News
Written by Roger Fillion
Subject: Pearl James
Pearl James was on a mission when she threww platters, casserols,
teapots and other ware on the potters wheel at her Denver studio. Mrs James would
desend the stairs to the studio, located in her home's basement at 8:am. and not
emerge until lunch. After lunch she went back to work returning to the upstairs
until 4:pm. to hae a cocktail. She was a member othe Colorado potters guild
Pearl James was a very important studio potter in Denver. She gave a great deal
of time and energy to the clay community.
Written by Roger Fillion
Subject: Pearl James
Pearl James was on a mission when she threww platters, casserols,
teapots and other ware on the potters wheel at her Denver studio. Mrs James would
desend the stairs to the studio, located in her home's basement at 8:am. and not
emerge until lunch. After lunch she went back to work returning to the upstairs
until 4:pm. to hae a cocktail. She was a member othe Colorado potters guild
Pearl James was a very important studio potter in Denver. She gave a great deal
of time and energy to the clay community.
McKinnell Pottery
James and Nan McKinnell
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
Thursday, March 24, 2011
Colordo Studio Potters
Great Colorado Studio Potters
Don Glasgow
Joan Glasgow
Macy Dorf
James McKinnell
Nan McKinnell
Bob Smith
Pearl James
Mark Zammantakis
Ruth Perdew
Ostrud Fowler
Willow Connery
Macy Dorf
Bob Nelson
Tabor Utley
James Lario
Ostrud Fowler
Tom Forte
Betty Woodman
Dorothly Steidley
Alan Bales
Larry Clark
Jean Peterson
Alan Bales
D. Michael Coffee
Don Glasgow
Joan Glasgow
Macy Dorf
James McKinnell
Nan McKinnell
Bob Smith
Pearl James
Mark Zammantakis
Ruth Perdew
Ostrud Fowler
Willow Connery
Macy Dorf
Bob Nelson
Tabor Utley
James Lario
Ostrud Fowler
Tom Forte
Betty Woodman
Dorothly Steidley
Alan Bales
Larry Clark
Jean Peterson
Alan Bales
D. Michael Coffee
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