Ruth S. Perdew-Bio Sketch
Her interest in making pottery began after she took a class in pottery. Her teacher was noted Denver potter Maynard Tischler. She became very interested in learning how to become a
better potter.and make more complicated pots. She contined taking additional classes.
She had a friend who helped her get to the Colorado Potters Guild. She encouraged her
to apply for membership. She was accepted to the Colorado potters Guild. By being
a member, she entitled to you the kilns and all the neessary items for making pots.
During the years she was a member she made and sold many pieces. Most of the creations
were functional in nature.lile bowls, vases. Ruth worked with stoneware.Stoneware was
her chice of clay bodies. She was a vital clay artist who contributed much to denver clay.
She remains very interested in pottery and clay.
Ruth was also a noted piano teacher in Denver for over twenty years. She also created a large
sheet music business in Denver. Her love for making great pots was was clearly seen in her work.
Ruth is 98 years young.
I spoke to her a few daya ago. She souned well.
Denise and I have four of Ruth Perdew pots. We love these pots.
98 and she and she is doing well
Tom Turnquist
Friday, October 21, 2011
Tuesday, August 23, 2011
Monday, August 15, 2011
Glasgow Pottery
Don and Joan Glasgow
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Pearl James
Data provided from Rocky Mountain News
Written by Roger Fillion
Subject: Pearl James
Pearl James was on a mission when she threww platters, casserols,
teapots and other ware on the potters wheel at her Denver studio. Mrs James would
desend the stairs to the studio, located in her home's basement at 8:am. and not
emerge until lunch. After lunch she went back to work returning to the upstairs
until 4:pm. to hae a cocktail. She was a member othe Colorado potters guild
Pearl James was a very important studio potter in Denver. She gave a great deal
of time and energy to the clay community.
Written by Roger Fillion
Subject: Pearl James
Pearl James was on a mission when she threww platters, casserols,
teapots and other ware on the potters wheel at her Denver studio. Mrs James would
desend the stairs to the studio, located in her home's basement at 8:am. and not
emerge until lunch. After lunch she went back to work returning to the upstairs
until 4:pm. to hae a cocktail. She was a member othe Colorado potters guild
Pearl James was a very important studio potter in Denver. She gave a great deal
of time and energy to the clay community.
Sunday, July 31, 2011
Monday, July 18, 2011
The Quiet Tea Bowl
A fine clay tea bowl is one of man's most wonderful creations. An object that is so very basic
but at the same time is also very complex. It is quiet but sends a powerful spitual feeling.
A clay oxymoron. The tea bowl is totally functional in a real sense and at the same time
it is an object of beauty. The tea bowl can nurture both the body and the soul. There exists
in the tea bowl the strength to elevate the mundane and honor the noble craftsman.
The humble tea bowl, for centuries, has been a icon for simplcity and calm. In our busy
lives most people never have the time or any inclination to reflect and ponder. The ipod
does not offer quiet and peace but coats our souls in brashness and glitter. What would Walt
Whitman think if he could view the 21st century?
Tom and Denise Turnquist
A fine clay tea bowl is one of man's most wonderful creations. An object that is so very basic
but at the same time is also very complex. It is quiet but sends a powerful spitual feeling.
A clay oxymoron. The tea bowl is totally functional in a real sense and at the same time
it is an object of beauty. The tea bowl can nurture both the body and the soul. There exists
in the tea bowl the strength to elevate the mundane and honor the noble craftsman.
The humble tea bowl, for centuries, has been a icon for simplcity and calm. In our busy
lives most people never have the time or any inclination to reflect and ponder. The ipod
does not offer quiet and peace but coats our souls in brashness and glitter. What would Walt
Whitman think if he could view the 21st century?
Tom and Denise Turnquist
Harding Black
Harding Black: Some Thoughts
I was thinking about Harding Black recently. Reflecting about the man and the potter.
I was recalling my meetings with him and focusing on his amazing body of work and his
endless search for glazes and clay bodies. His entire life was a journey of
hope, search, sucess, and giving. Giving was his manner and mode. No secrets or ego.
Every day was a new day for him. A day to expand his dreams. A day to teach those
who hungered for knowledge. A day never wasted. Harding always went his own way
paying little attention to what anybody was doing or proclaiming. He had a road to travel and he did
travel the road mapped out by his dreams..
Harding Black was truly one of a kind. He was going down a road that did not end. For harding
there was no end only more exploration. More work. More trials. More Joy. More. More success.
Knowing him was one of my greats joys.
.
I was thinking about Harding Black recently. Reflecting about the man and the potter.
I was recalling my meetings with him and focusing on his amazing body of work and his
endless search for glazes and clay bodies. His entire life was a journey of
hope, search, sucess, and giving. Giving was his manner and mode. No secrets or ego.
Every day was a new day for him. A day to expand his dreams. A day to teach those
who hungered for knowledge. A day never wasted. Harding always went his own way
paying little attention to what anybody was doing or proclaiming. He had a road to travel and he did
travel the road mapped out by his dreams..
Harding Black was truly one of a kind. He was going down a road that did not end. For harding
there was no end only more exploration. More work. More trials. More Joy. More. More success.
Knowing him was one of my greats joys.
.
Searching for art created by John T. Haeseler
Searching for art created by John T. Haeseler
He was a great Colorado Artist
tom.turnquist@comcast.net
Also searching for Pottery by Ruth Perdew of Denver
Also Pottery by Ruth Perdew and William Tyner
He was a great Colorado Artist
tom.turnquist@comcast.net
Also searching for Pottery by Ruth Perdew of Denver
Also Pottery by Ruth Perdew and William Tyner
James and Nan McKinnell
mes and Nan McKinnell
James and Nan McKinnell
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
James and Nan McKinnell
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
Monday, July 11, 2011
Friday, July 8, 2011
Monday, July 4, 2011
James and Nan McKinnell
James and Nan McKinnell
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
Ruth S. Perdew-Bio Sketch
Her interest in making pottery began after she took a class in pottery. Her teacher was noted Denver potter Maynard Tischler. She became very interested in learning how to become a
better potter.and make more complicated pots. She contined taking additional classes.
She had a friend who helped her get to the Colorado Potters Guild. She encouraged her
to apply for membership. She was accepted to the Colorado potters Guild. By being
a member, she entitled to you the kilns and all the neessary items for making pots.
During the years she was a member she made and sold many pieces. Most of the creations
were functional in nature.lile bowls, vases. Ruth worked with stoneware.Stoneware was
her chice of clay bodies. She was a vital clay artist who contributed much to denver clay.
She remains very interested in pottery and clay.
Ruth was also a noted piano teacher in Denver for over twenty years.
Her interest in making pottery began after she took a class in pottery. Her teacher was noted Denver potter Maynard Tischler. She became very interested in learning how to become a
better potter.and make more complicated pots. She contined taking additional classes.
She had a friend who helped her get to the Colorado Potters Guild. She encouraged her
to apply for membership. She was accepted to the Colorado potters Guild. By being
a member, she entitled to you the kilns and all the neessary items for making pots.
During the years she was a member she made and sold many pieces. Most of the creations
were functional in nature.lile bowls, vases. Ruth worked with stoneware.Stoneware was
her chice of clay bodies. She was a vital clay artist who contributed much to denver clay.
She remains very interested in pottery and clay.
Ruth was also a noted piano teacher in Denver for over twenty years.
Colorado Pottery
Data provided from Rocky Mountain News
Written by Roger Fillion
Subject: Pearl James
Pearl James was on a mission when she threww platters, casserols,
teapots and other ware on the potters wheel at her Denver studio. Mrs James would
desend the stairs to the studio, located in her home's basement at 8:am. and not
emerge until lunch. After lunch she went back to work returning to the upstairs
until 4:pm. to hae a cocktail. She was a member othe Colorado potters guild
Pearl James was a very important studio potter in Denver. She gave a great deal
of time and energy to the clay community.
Written by Roger Fillion
Subject: Pearl James
Pearl James was on a mission when she threww platters, casserols,
teapots and other ware on the potters wheel at her Denver studio. Mrs James would
desend the stairs to the studio, located in her home's basement at 8:am. and not
emerge until lunch. After lunch she went back to work returning to the upstairs
until 4:pm. to hae a cocktail. She was a member othe Colorado potters guild
Pearl James was a very important studio potter in Denver. She gave a great deal
of time and energy to the clay community.
Saturday, July 2, 2011
Tuesday, June 28, 2011
Monday, June 27, 2011
Friday, June 24, 2011
Tuesday, June 21, 2011
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Data provided from Rocky Mountain News
Written by Roger Fillion
Subject: Pearl James
Pearl James was on a mission when she threww platters, casserols,
teapots and other ware on the potters wheel at her Denver studio. Mrs James would
desend the stairs to the studio, located in her home's basement at 8:am. and not
emerge until lunch. After lunch she went back to work returning to the upstairs
until 4:pm. to hae a cocktail. She was a member othe Colorado potters guild
Pearl James was a very important studio potter in Denver. She gave a great deal
of time and energy to the clay community.
Written by Roger Fillion
Subject: Pearl James
Pearl James was on a mission when she threww platters, casserols,
teapots and other ware on the potters wheel at her Denver studio. Mrs James would
desend the stairs to the studio, located in her home's basement at 8:am. and not
emerge until lunch. After lunch she went back to work returning to the upstairs
until 4:pm. to hae a cocktail. She was a member othe Colorado potters guild
Pearl James was a very important studio potter in Denver. She gave a great deal
of time and energy to the clay community.
Saturday, June 18, 2011
Thursday, June 16, 2011
Searching for studio Pottery by Ruth Perdew, Macy Dorf, Pearl James, Mark Zamantakis and
Ron Philbeck. tom.turnquist@comcast.net
Ron Philbeck. tom.turnquist@comcast.net
Wednesday, June 8, 2011
Dorf the Great Pottery
ABOUT THE ARTIST
I graduated from Southern Illinois University in 1967 with a Masters of Fine Arts degree in ceramics. After a year teaching, in the city of Chicago, I moved to Colorado and started "TWO POTTERS" in Littleton, with partner Larry Wright, where I concentrated on making production pottery.In 1973, I went to France to study ceramics as an apprentice in the village of La Borne, where I helped to fabricate large clay sculptures while exploring my own work. In La Borne the work was fired in large traditional wood kilns.
Upon returning to Colorado, I lived and worked in Durango making production pottery for eight years before returning to Denver where I began working at, what is now known as Artists on Santa Fe. There, I have sustained my production work and began an exploration of making one-of-a-kind sculptures.
My work has been shown in shops and galleries from coast-to-coast in the U.S., and has been collected by private buyers for the last 40 years.
Wednesday, June 1, 2011
Studio Pottery by Pearl James
Data provided from Rocky Mountain News
Written by Roger Fillion
Subject: Pearl James
Pearl James was on a mission when she threww platters, casserols,
teapots and other ware on the potters wheel at her Denver studio. Mrs James would
desend the stairs to the studio, located in her home's basement at 8:am. and not
emerge until lunch. After lunch she went back to work returning to the upstairs
until 4:pm. to hae a cocktail. She was a member othe Colorado potters guild
Pearl James was a very important studio potter in Denver. She gave a great deal
of time and energy to the clay community.
Written by Roger Fillion
Subject: Pearl James
Pearl James was on a mission when she threww platters, casserols,
teapots and other ware on the potters wheel at her Denver studio. Mrs James would
desend the stairs to the studio, located in her home's basement at 8:am. and not
emerge until lunch. After lunch she went back to work returning to the upstairs
until 4:pm. to hae a cocktail. She was a member othe Colorado potters guild
Pearl James was a very important studio potter in Denver. She gave a great deal
of time and energy to the clay community.
Tuesday, May 31, 2011
Colorado Studio Pottery
Colorado Studio Potters
Pear James
James McKinnell
Bob Smith
Loie Daily
Mark Zamantakis
Ken Williams
Jim Lario
Pear James
James McKinnell
Bob Smith
Loie Daily
Mark Zamantakis
Ken Williams
Jim Lario
Monday, May 30, 2011
Sunday, May 29, 2011
Don and Joan Glasgow
Don and Joan Glasgow
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Saturday, May 28, 2011
Thursday, May 26, 2011
Great Colorado Potters GREAT COLORADO POTTERS
Ruth Perdew Willow Connery
Bob Nelson Ostrud Fowler
Pearl James Macy Dorf
Mark Zammtakis Jean Peterson
Ken Williams Jim Foster
Bob Nelson Ostrud Fowler
Pearl James Macy Dorf
Mark Zammtakis Jean Peterson
Ken Williams Jim Foster
Monday, May 23, 2011
Sunday, May 22, 2011
Saturday, May 21, 2011
Colorado Pottery
Searching for Ols stoneware crocks.
tom.turnquist@comcst.net
Looking for pottery by Jim and Nan McKinnell
tom.turnquist@comcst.net
Looking for pottery by Jim and Nan McKinnell
Politics and Clay
Politics and Clay
Thomas Turnquist
Americans are losing control of their lives. The Federal govenment wants to control
our daily moves. We are moving to a point where the state can and will monitor all
forms of art including clay. Potters will be told how much clay can we use and how we use
clay in general. Art monitors will deem something good or evil. Potters will be forced
to prove that the clay objects are a good thing for the America and not a drain on
any resource.
Clay objects will be gender friendly. Clay shall be free of any hint of oppression.
Potters will be banned from purchasing clay materials that
are sold to create vessels that foster anger in men. The clay police will
have the power to filter out any sexist vessel form that may have a long
term impact, such as dreams about conservative talk show
hosts Glenn Beck or Dick Morris. No pottery studio can sell work
that is not in tune with Al Gore. Who would not be in tune with a
soul who has made millions of dollars hawking green dreams.
How does Gore explain the all that jet fuel he consumes?
America has a long and proud tradition in the field of pottery and
stoneware. A tradion that goes back more than three hundred
years. A period rooted in trial and error and huge success and
not based on gender. Art police were not an issue. Where
will this manic push to set standards stop? Will inane
government robots have control of taste? Prisons for
those who are convicted for not going the way of the
government standards.
Thomas Turnquist
Americans are losing control of their lives. The Federal govenment wants to control
our daily moves. We are moving to a point where the state can and will monitor all
forms of art including clay. Potters will be told how much clay can we use and how we use
clay in general. Art monitors will deem something good or evil. Potters will be forced
to prove that the clay objects are a good thing for the America and not a drain on
any resource.
Clay objects will be gender friendly. Clay shall be free of any hint of oppression.
Potters will be banned from purchasing clay materials that
are sold to create vessels that foster anger in men. The clay police will
have the power to filter out any sexist vessel form that may have a long
term impact, such as dreams about conservative talk show
hosts Glenn Beck or Dick Morris. No pottery studio can sell work
that is not in tune with Al Gore. Who would not be in tune with a
soul who has made millions of dollars hawking green dreams.
How does Gore explain the all that jet fuel he consumes?
America has a long and proud tradition in the field of pottery and
stoneware. A tradion that goes back more than three hundred
years. A period rooted in trial and error and huge success and
not based on gender. Art police were not an issue. Where
will this manic push to set standards stop? Will inane
government robots have control of taste? Prisons for
those who are convicted for not going the way of the
government standards.
Friday, May 20, 2011
Glasgow Pottery
Don and Joan Glasgow
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Thursday, May 19, 2011
Don and Joan Glasgow
Don and Joan Glasgow
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Wednesday, May 18, 2011
Tuesday, May 17, 2011
Don and Joan Glasgow Pottery
Don and Joan Glasgow
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Studio Pottery Wanted
Colorado Studio Pottery.
Studio Potters:
Ruth Perdew
McKinnell
Mel Jacobson
Kurt Wild
Ron Phibeck
Pearl James
tom.turnquist@comcast.net
Studio Potters:
Ruth Perdew
McKinnell
Mel Jacobson
Kurt Wild
Ron Phibeck
Pearl James
tom.turnquist@comcast.net
Don and Joan Glasgow
Don and Joan Glasgow
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Monday, May 16, 2011
Great Colorado Studio Potters
Great Colorado Studio Potters
Don Glasgow
Joan Glasgow
Macy Dorf
James McKinnell
Nan McKinnell
Bob Smith
Pearl James
Mark Zammantakis
Ruth Perdew
Ostrud Fowler
Willow Connery
Macy Dorf
Bob Nelson
Tabor Utley
James Lario
Ostrud Fowler
Tom Forte
Betty Woodman
Dorothly Steidley
Alan Bales
Larry Clark
Jean Peterson
Alan Bales
D. Michael Coffee
Don Glasgow
Joan Glasgow
Macy Dorf
James McKinnell
Nan McKinnell
Bob Smith
Pearl James
Mark Zammantakis
Ruth Perdew
Ostrud Fowler
Willow Connery
Macy Dorf
Bob Nelson
Tabor Utley
James Lario
Ostrud Fowler
Tom Forte
Betty Woodman
Dorothly Steidley
Alan Bales
Larry Clark
Jean Peterson
Alan Bales
D. Michael Coffee
Politics and And Pottery
Politics and Pots
by Thomas G. Turnquist
All of life consists of many things including politics. Clay is not void of politics by any
stretch of the wildest imaginations. Each and every potter or clay artist has views or twists
that they cling to with some passion. A high perecntage potters and clay scuptors tend to
lean to the left when it comes to American politics. If you are a conservative in your views
and mention that fact to some clay artists you become a cretin and racist in their
closed minds. I have run into this on several occasions. If you do not march to the
tunes of the left, you become a malaprop. One would think that artists would be or should
be open and eager to discuss all matters in an adult and calm venue. The world of American
clay must be a home for change and growth and not a filter that blocks selected opposing
views.
I have been collecting American pottery for thirty years. Not once did I buy an artist's
work based on age, gender, or color. The only thing of importance was quality of
work. It is the work not the politics. It is the creativity. No one needs to be involved
in pettifoggery.
by Thomas G. Turnquist
All of life consists of many things including politics. Clay is not void of politics by any
stretch of the wildest imaginations. Each and every potter or clay artist has views or twists
that they cling to with some passion. A high perecntage potters and clay scuptors tend to
lean to the left when it comes to American politics. If you are a conservative in your views
and mention that fact to some clay artists you become a cretin and racist in their
closed minds. I have run into this on several occasions. If you do not march to the
tunes of the left, you become a malaprop. One would think that artists would be or should
be open and eager to discuss all matters in an adult and calm venue. The world of American
clay must be a home for change and growth and not a filter that blocks selected opposing
views.
I have been collecting American pottery for thirty years. Not once did I buy an artist's
work based on age, gender, or color. The only thing of importance was quality of
work. It is the work not the politics. It is the creativity. No one needs to be involved
in pettifoggery.
Don and Joan Glasgow Potters
Don and Joan Glasgow
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Tom and Denise Turnquist
The Quiet Tea Bowl
A fine clay tea bowl is one of man's most wonderful creations. An object that is so very basic
but at the same time is also very complex. It is quiet but sends a powerful spitual feeling.
A clay oxymoron. The tea bowl is totally functional in a real sense and at the same time
it is an object of beauty. The tea bowl can nurture both the body and the soul. There exists
in the tea bowl the strength to elevate the mundane and honor the noble craftsman.
The humble tea bowl, for centuries, has been a icon for simplcity and calm. In our busy
lives most people never have the time or any inclination to reflect and ponder. The ipod
does not offer quiet and peace but coats our souls in brashness and glitter. What would Walt
Whitman think if he could view the 21st century?
Tom and Denise Turnquist
A fine clay tea bowl is one of man's most wonderful creations. An object that is so very basic
but at the same time is also very complex. It is quiet but sends a powerful spitual feeling.
A clay oxymoron. The tea bowl is totally functional in a real sense and at the same time
it is an object of beauty. The tea bowl can nurture both the body and the soul. There exists
in the tea bowl the strength to elevate the mundane and honor the noble craftsman.
The humble tea bowl, for centuries, has been a icon for simplcity and calm. In our busy
lives most people never have the time or any inclination to reflect and ponder. The ipod
does not offer quiet and peace but coats our souls in brashness and glitter. What would Walt
Whitman think if he could view the 21st century?
Tom and Denise Turnquist
Searching for art created by John T. Haeseler
Searching for art created by John T. Haeseler
He was a great Colorado Artist
tom.turnquist@comcast.net
Also searching for Pottery by Ruth Perdew of Denver
Also Pottery by Ruth Perdew and William Tyner
He was a great Colorado Artist
tom.turnquist@comcast.net
Also searching for Pottery by Ruth Perdew of Denver
Also Pottery by Ruth Perdew and William Tyner
Jim and Nan McKinnell
Collectors of American studio pottery view Jim and Nan McKinnell's work as an
important part of Americs's ceranic history over the past fifty years. The
Mckinnell's high standing among collectos is based upon three major areas
contribution. They were great teacher, great artis and great kiln desiigners.
Their work will stand the test of time.
important part of Americs's ceranic history over the past fifty years. The
Mckinnell's high standing among collectos is based upon three major areas
contribution. They were great teacher, great artis and great kiln desiigners.
Their work will stand the test of time.
Jim and Nan McKinnell
Collectors of American studio pottery view Jim and Nan McKinnell's work as an
important part of Americs's ceranic history over the past fifty years. The
Mckinnell's high standing among collectos is based upon three major areas
contribution. They were great teacher, great artis and great kiln desiigners.
Their work will stand the test of time.
important part of Americs's ceranic history over the past fifty years. The
Mckinnell's high standing among collectos is based upon three major areas
contribution. They were great teacher, great artis and great kiln desiigners.
Their work will stand the test of time.
James and Nan McKinnell
James and Nan McKinnell
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
Don and Joan Glasgow
Don and Joan Glasgow
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Sunday, May 15, 2011
Searching for art created by John T. Haeseler
Searching for art created by John T. Haeseler
He was a great Colorado Artist
tom.turnquist@comcast.net
Also searching for Pottery by Ruth Perdew of Denver
Also Pottery by Ruth Perdew and William Tyner
He was a great Colorado Artist
tom.turnquist@comcast.net
Also searching for Pottery by Ruth Perdew of Denver
Also Pottery by Ruth Perdew and William Tyner
Don and Joan Glasgow
Don and Joan Glasgow
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Searching for art created by John T. Haeseler
Searching for art created by John T. Haeseler
He was a great Colorado Artist
tom.turnquist@comcast.net
Also searching for Pottery by Ruth Perdew of Denver
Also Pottery by Ruth Perdew and William Tyner
He was a great Colorado Artist
tom.turnquist@comcast.net
Also searching for Pottery by Ruth Perdew of Denver
Also Pottery by Ruth Perdew and William Tyner
Saturday, May 14, 2011
Dorf Pottery Denver
Macy Dorf
By Thomas G Turnquist
Denver Potter Macy Dorf has that wonderf combination of keen intellect, great talent, and
boundless energy. He has been on the Colorado pottery scene since since 1968. Dorf
received a B. S. and his M.F.A. from Southern Ill University, Carbondale. After
completing his M.F.A. he decided to to California. On the way he stopped to see a friend
in Denver. His stop was long. He lives in Denver..
His experience is extensive. He and potter Larry Wright owned Two potters in
Littlrton, Colorado from 1968 to 1973. Dorf was Assistant to Chez Pierre
Mestre, LaBorne France, March 1974 to November 1975. He was part of Dorf/Ulery
in Durango, Colorado. Macy Dorf has been Dorf Stonewre Since 1982.
He creates vessels and sculptures. He is a major clay artist in Denver
Colorado.
By Thomas G Turnquist
Denver Potter Macy Dorf has that wonderf combination of keen intellect, great talent, and
boundless energy. He has been on the Colorado pottery scene since since 1968. Dorf
received a B. S. and his M.F.A. from Southern Ill University, Carbondale. After
completing his M.F.A. he decided to to California. On the way he stopped to see a friend
in Denver. His stop was long. He lives in Denver..
His experience is extensive. He and potter Larry Wright owned Two potters in
Littlrton, Colorado from 1968 to 1973. Dorf was Assistant to Chez Pierre
Mestre, LaBorne France, March 1974 to November 1975. He was part of Dorf/Ulery
in Durango, Colorado. Macy Dorf has been Dorf Stonewre Since 1982.
He creates vessels and sculptures. He is a major clay artist in Denver
Colorado.
Searching for Colorado Crocks.
Looking for Colorado Pottery by Pearl James
tom.turnquist@comcast.net
Looking for Colorado Pottery by Pearl James
tom.turnquist@comcast.net
Pearl James Pottery
Data provided from Rocky Mountain News
Written by Roger Fillion
Subject: Pearl James
Pearl James was on a mission when she threww platters, casserols,
teapots and other ware on the potters wheel at her Denver studio. Mrs James would
desend the stairs to the studio, located in her home's basement at 8:am. and not
emerge until lunch. After lunch she went back to work returning to the upstairs
until 4:pm. to hae a cocktail. She was a member othe Colorado potters guild
Pearl James was a very important studio potter in Denver. She gave a great deal
of time and energy to the clay community.
Written by Roger Fillion
Subject: Pearl James
Pearl James was on a mission when she threww platters, casserols,
teapots and other ware on the potters wheel at her Denver studio. Mrs James would
desend the stairs to the studio, located in her home's basement at 8:am. and not
emerge until lunch. After lunch she went back to work returning to the upstairs
until 4:pm. to hae a cocktail. She was a member othe Colorado potters guild
Pearl James was a very important studio potter in Denver. She gave a great deal
of time and energy to the clay community.
Don and Joan Glasgow
Don and Joan Glasgow
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Don and Joan Glasgow
Don and Joan Glasgow
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Friday, May 13, 2011
Searching for art created by John T. Haeseler
Searching for art created by John T. Haeseler
He was a great Colorado Artist
tom.turnquist@comcast.net
Also searching for Pottery by Ruth Perdew of Denver
Also Pottery by Ruth Perdew and William Tyner
He was a great Colorado Artist
tom.turnquist@comcast.net
Also searching for Pottery by Ruth Perdew of Denver
Also Pottery by Ruth Perdew and William Tyner
Don and Joan Glasgow Pottery
Don and Joan Glasgow
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Thursday, May 12, 2011
Don and Joan Glasgow Potters
Don and Joan Glasgow
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Don and Joan Glasgow
Don and Joan Glasgow
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel i realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don says she is
the best student.
The shows started in college and soon after entered the
first competition at the Denver Art Museum.
Don and Joan Glasgow were major figures in in Colorado. They
gave much to the world of studio pottery for many years. The work
was always honet and well designed.
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel i realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don says she is
the best student.
The shows started in college and soon after entered the
first competition at the Denver Art Museum.
Don and Joan Glasgow were major figures in in Colorado. They
gave much to the world of studio pottery for many years. The work
was always honet and well designed.
Collectors of American studio pottery view Jim and Nan McKinnell's Work
Collectors of American studio pottery view Jim and Nan McKinnell's work as an
important part of Americs's ceranic history over the past fifty years. The
Mckinnell's high standing among collectos is based upon three major areas
contribution. They were great teacher, great artis and great kiln desiigners.
Their work will stand the test of time.
important part of Americs's ceranic history over the past fifty years. The
Mckinnell's high standing among collectos is based upon three major areas
contribution. They were great teacher, great artis and great kiln desiigners.
Their work will stand the test of time.
Wednesday, May 11, 2011
James and Nan McKinnell
James and Nan McKinnell
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
Politics and Pots
by Thomas G. Turnquist
All of life consists of many things including politics. Clay is not void of politics by any
stretch of the wildest imaginations. Each and every potter or clay artist has views or twists
that they cling to with some passion. A high perecntage potters and clay scuptors tend to
lean to the left when it comes to American politics. If you are a conservative in your views
and mention that fact to some clay artists you become a cretin and racist in their
closed minds. I have run into this on several occasions. If you do not march to the
tunes of the left, you become a malaprop. One would think that artists would be or should
be open and eager to discuss all matters in an adult and calm venue. The world of American
clay must be a home for change and growth and not a filter that blocks selected opposing
views.
I have been collecting American pottery for thirty years. Not once did I buy an artist's
work based on age, gender, or color. The only thing of importance was quality of
work. It is the work not the politics. It is the creativity. No one needs to be involved
in pettifoggery.
by Thomas G. Turnquist
All of life consists of many things including politics. Clay is not void of politics by any
stretch of the wildest imaginations. Each and every potter or clay artist has views or twists
that they cling to with some passion. A high perecntage potters and clay scuptors tend to
lean to the left when it comes to American politics. If you are a conservative in your views
and mention that fact to some clay artists you become a cretin and racist in their
closed minds. I have run into this on several occasions. If you do not march to the
tunes of the left, you become a malaprop. One would think that artists would be or should
be open and eager to discuss all matters in an adult and calm venue. The world of American
clay must be a home for change and growth and not a filter that blocks selected opposing
views.
I have been collecting American pottery for thirty years. Not once did I buy an artist's
work based on age, gender, or color. The only thing of importance was quality of
work. It is the work not the politics. It is the creativity. No one needs to be involved
in pettifoggery.
Don and Joan Glasgow
Don and Joan Glasgow
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Searching for art created by John T. Haeseler
Searching for art created by John T. Haeseler
He was a great Colorado Artist
tom.turnquist@comcast.net
Also searching for Pottery by Ruth Perdew of Denver
Also Pottery by Ruth Perdew and William Tyner
He was a great Colorado Artist
tom.turnquist@comcast.net
Also searching for Pottery by Ruth Perdew of Denver
Also Pottery by Ruth Perdew and William Tyner
Tuesday, May 10, 2011
Searching for art created by John T. Haeseler
Searching for art created by John T. Haeseler
He was a great Colorado Artist
tom.turnquist@comcast.net
Also searching for Pottery by Ruth Perdew of Denver
Also Pottery by Ruth Perdew and William Tyner
He was a great Colorado Artist
tom.turnquist@comcast.net
Also searching for Pottery by Ruth Perdew of Denver
Also Pottery by Ruth Perdew and William Tyner
Don and Joan Glasgow
Don and Joan Glasgow
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Pearl James Pottery
Data provided from Rocky Mountain News
Written by Roger Fillion
Subject: Pearl James
Pearl James was on a mission when she threww platters, casserols,
teapots and other ware on the potters wheel at her Denver studio. Mrs James would
desend the stairs to the studio, located in her home's basement at 8:am. and not
emerge until lunch. After lunch she went back to work returning to the upstairs
until 4:pm. to hae a cocktail. She was a member othe Colorado potters guild
Pearl James was a very important studio potter in Denver. She gave a great deal
of time and energy to the clay community.
Written by Roger Fillion
Subject: Pearl James
Pearl James was on a mission when she threww platters, casserols,
teapots and other ware on the potters wheel at her Denver studio. Mrs James would
desend the stairs to the studio, located in her home's basement at 8:am. and not
emerge until lunch. After lunch she went back to work returning to the upstairs
until 4:pm. to hae a cocktail. She was a member othe Colorado potters guild
Pearl James was a very important studio potter in Denver. She gave a great deal
of time and energy to the clay community.
Don and Joan Glasgow
Don and Joan Glasgow
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Monday, May 9, 2011
Searching for art created by John T. Haeseler
Searching for art created by John T. Haeseler
He was a great Colorado Artist
tom.turnquist@comcast.net
Also searching for Pottery by Ruth Perdew of Denver
Also Pottery by Ruth Perdew and William Tyner
He was a great Colorado Artist
tom.turnquist@comcast.net
Also searching for Pottery by Ruth Perdew of Denver
Also Pottery by Ruth Perdew and William Tyner
James and Nan McKinnell
James and Nan McKinnell
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
Macy Dorf Pottery
By Thomas G Turnquist
Denver Potter Macy Dorf has that wonderf combination of keen intellect, great talent, and
boundless energy. He has been on the Colorado pottery scene since since 1968. Dorf
received a B. S. and his M.F.A. from Southern Ill University, Carbondale. After
completing his M.F.A. he decided to to California. On the way he stopped to see a friend
in Denver. His stop was long. He lives in Denver..
His experience is extensive. He and potter Larry Wright owned Two potters in
Littlrton, Colorado from 1968 to 1973. Dorf was Assistant to Chez Pierre
Mestre, LaBorne France, March 1974 to November 1975. He was part of Dorf/Ulery
in Durango, Colorado. Macy Dorf has been Dorf Stonewre Since 1982.
He creates vessels and sculptures. He is a major clay artist in Denver
Colorado.
Denver Potter Macy Dorf has that wonderf combination of keen intellect, great talent, and
boundless energy. He has been on the Colorado pottery scene since since 1968. Dorf
received a B. S. and his M.F.A. from Southern Ill University, Carbondale. After
completing his M.F.A. he decided to to California. On the way he stopped to see a friend
in Denver. His stop was long. He lives in Denver..
His experience is extensive. He and potter Larry Wright owned Two potters in
Littlrton, Colorado from 1968 to 1973. Dorf was Assistant to Chez Pierre
Mestre, LaBorne France, March 1974 to November 1975. He was part of Dorf/Ulery
in Durango, Colorado. Macy Dorf has been Dorf Stonewre Since 1982.
He creates vessels and sculptures. He is a major clay artist in Denver
Colorado.
Searching for art created by John T. Haeseler
Searching for art created by John T. Haeseler A Fine Artistist
Want to purchase his work.
He was a great Colorado Artist
tom.turnquist@comcast.net
Also searching for Pottery by Ruth Perdew of Denver
Also Pottery by Ruth Perdew and William Tyner
Want to purchase his work.
He was a great Colorado Artist
tom.turnquist@comcast.net
Also searching for Pottery by Ruth Perdew of Denver
Also Pottery by Ruth Perdew and William Tyner
The Forgotten Pot
The Forgotten Pot
Thomas G. Turnquist
Denise and I were searching for various items at a thrift store. She ws looking for super
buys on clothing for her our granddaughters and I was looking for some good pots at a
super buy. Walking through the store I spotted a super a porcelain vase. An oblate form
with a white glaze with a touch of copper read. It was surperb!!! I turrned the pot over
and found no mark that one could make out to the naked eye. The maker will never
be known. The price tag on this beauty was $2.00 plus a few cents for tax. I bought
this jewell and gave it a home. A home where it will be seen and protected
from being cast out.
Are Americans numb when it comes to any art form? Are we drowing in a
pool of ipods and cheap imported electronics. Art in American schools
seems to be lacking. We need more money for art in our schools. We need potters
and all art artists to reach out to American youth. A bland society
is not the right road. We need to go beyond an America that casts
work by its artists upon the shelves of thift storess. Art and craft must not be simply
a phrase, but a working energy that brings joy and bright to
America.
The word society connotes progress, growth, and development. There are many
strands in the this cord of culture and growth. We must embrace the best of
what modern culture offers. We, as an Americans must expand our
base and spread the word to the world of our popular culture.
Tom Turnquist
Thomas G. Turnquist
Denise and I were searching for various items at a thrift store. She ws looking for super
buys on clothing for her our granddaughters and I was looking for some good pots at a
super buy. Walking through the store I spotted a super a porcelain vase. An oblate form
with a white glaze with a touch of copper read. It was surperb!!! I turrned the pot over
and found no mark that one could make out to the naked eye. The maker will never
be known. The price tag on this beauty was $2.00 plus a few cents for tax. I bought
this jewell and gave it a home. A home where it will be seen and protected
from being cast out.
Are Americans numb when it comes to any art form? Are we drowing in a
pool of ipods and cheap imported electronics. Art in American schools
seems to be lacking. We need more money for art in our schools. We need potters
and all art artists to reach out to American youth. A bland society
is not the right road. We need to go beyond an America that casts
work by its artists upon the shelves of thift storess. Art and craft must not be simply
a phrase, but a working energy that brings joy and bright to
America.
The word society connotes progress, growth, and development. There are many
strands in the this cord of culture and growth. We must embrace the best of
what modern culture offers. We, as an Americans must expand our
base and spread the word to the world of our popular culture.
Tom Turnquist
Politics and Pots
Politics and Pots
by Thomas G. Turnquist
All of life consists of many things including politics. Clay is not void of politics by any
stretch of the wildest imaginations. Each and every potter or clay artist has views or twists
that they cling to with some passion. A high perecntage potters and clay scuptors tend to
lean to the left when it comes to American politics. If you are a conservative in your views
and mention that fact to some clay artists you become a cretin and racist in their
closed minds. I have run into this on several occasions. If you do not march to the
tunes of the left, you become a malaprop. One would think that artists would be or should
be open and eager to discuss all matters in an adult and calm venue. The world of American
clay must be a home for change and growth and not a filter that blocks selected opposing
views.
I have been collecting American pottery for thirty years. Not once did I buy an artist's
work based on age, gender, or color. The only thing of importance was quality of
work. It is the work not the politics. It is the creativity. No one needs to be involved
in pettifoggery.
by Thomas G. Turnquist
All of life consists of many things including politics. Clay is not void of politics by any
stretch of the wildest imaginations. Each and every potter or clay artist has views or twists
that they cling to with some passion. A high perecntage potters and clay scuptors tend to
lean to the left when it comes to American politics. If you are a conservative in your views
and mention that fact to some clay artists you become a cretin and racist in their
closed minds. I have run into this on several occasions. If you do not march to the
tunes of the left, you become a malaprop. One would think that artists would be or should
be open and eager to discuss all matters in an adult and calm venue. The world of American
clay must be a home for change and growth and not a filter that blocks selected opposing
views.
I have been collecting American pottery for thirty years. Not once did I buy an artist's
work based on age, gender, or color. The only thing of importance was quality of
work. It is the work not the politics. It is the creativity. No one needs to be involved
in pettifoggery.
Don and Joan Glasgow
Don and Joan Glasgow
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Searching for art created by John T. Haeseler
Searching for art created by John T. Haeseler
He was a great Colorado Artist
tom.turnquist@comcast.net
Also searching for Pottery by Ruth Perdew of Denver
Also Pottery by Ruth Perdew and William Tyner
He was a great Colorado Artist
tom.turnquist@comcast.net
Also searching for Pottery by Ruth Perdew of Denver
Also Pottery by Ruth Perdew and William Tyner
Don and Joan Glasgow
Don and Joan Glasgow
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Politics and Pots
by Thomas G. Turnquist
All of life consists of many things including politics. Clay is not void of politics by any
stretch of the wildest imaginations. Each and every potter or clay artist has views or twists
that they cling to with some passion. A high perecntage potters and clay scuptors tend to
lean to the left when it comes to American politics. If you are a conservative in your views
and mention that fact to some clay artists you become a cretin and racist in their
closed minds. I have run into this on several occasions. If you do not march to the
tunes of the left, you become a malaprop. One would think that artists would be or should
be open and eager to discuss all matters in an adult and calm venue. The world of American
clay must be a home for change and growth and not a filter that blocks selected opposing
views.
I have been collecting American pottery for thirty years. Not once did I buy an artist's
work based on age, gender, or color. The only thing of importance was quality of
work. It is the work not the politics. It is the creativity. No one needs to be involved
in pettifoggery.
by Thomas G. Turnquist
All of life consists of many things including politics. Clay is not void of politics by any
stretch of the wildest imaginations. Each and every potter or clay artist has views or twists
that they cling to with some passion. A high perecntage potters and clay scuptors tend to
lean to the left when it comes to American politics. If you are a conservative in your views
and mention that fact to some clay artists you become a cretin and racist in their
closed minds. I have run into this on several occasions. If you do not march to the
tunes of the left, you become a malaprop. One would think that artists would be or should
be open and eager to discuss all matters in an adult and calm venue. The world of American
clay must be a home for change and growth and not a filter that blocks selected opposing
views.
I have been collecting American pottery for thirty years. Not once did I buy an artist's
work based on age, gender, or color. The only thing of importance was quality of
work. It is the work not the politics. It is the creativity. No one needs to be involved
in pettifoggery.
Perdew Pottery
Ruth S. Perdew-Bio Sketch
Her interest in making pottery began after she took a class in pottery. Her teacher was noted Denver potter Maynard Tischler. She became very interested in learning how to become a
better potter.and make more complicated pots. She contined taking additional classes.
She had a friend who helped her get to the Colorado Potters Guild. She encouraged her
to apply for membership. She was accepted to the Colorado potters Guild. By being
a member, she entitled to you the kilns and all the neessary items for making pots.
During the years she was a member she made and sold many pieces. Most of the creations
were functional in nature.lile bowls, vases. Ruth worked with stoneware.Stoneware was
her chice of clay bodies. She was a vital clay artist who contributed much to denver clay.
She remains very interested in pottery and clay.
Ruth was also a noted piano teacher in Denver for over twenty years.
Her interest in making pottery began after she took a class in pottery. Her teacher was noted Denver potter Maynard Tischler. She became very interested in learning how to become a
better potter.and make more complicated pots. She contined taking additional classes.
She had a friend who helped her get to the Colorado Potters Guild. She encouraged her
to apply for membership. She was accepted to the Colorado potters Guild. By being
a member, she entitled to you the kilns and all the neessary items for making pots.
During the years she was a member she made and sold many pieces. Most of the creations
were functional in nature.lile bowls, vases. Ruth worked with stoneware.Stoneware was
her chice of clay bodies. She was a vital clay artist who contributed much to denver clay.
She remains very interested in pottery and clay.
Ruth was also a noted piano teacher in Denver for over twenty years.
Pearl James Potter
Data provided from Rocky Mountain News
Written by Roger Fillion
Subject: Pearl James
Pearl James was on a mission when she threww platters, casserols,
teapots and other ware on the potters wheel at her Denver studio. Mrs James would
desend the stairs to the studio, located in her home's basement at 8:am. and not
emerge until lunch. After lunch she went back to work returning to the upstairs
until 4:pm. to hae a cocktail. She was a member othe Colorado potters guild
Pearl James was a very important studio potter in Denver. She gave a great deal
of time and energy to the clay community.
Written by Roger Fillion
Subject: Pearl James
Pearl James was on a mission when she threww platters, casserols,
teapots and other ware on the potters wheel at her Denver studio. Mrs James would
desend the stairs to the studio, located in her home's basement at 8:am. and not
emerge until lunch. After lunch she went back to work returning to the upstairs
until 4:pm. to hae a cocktail. She was a member othe Colorado potters guild
Pearl James was a very important studio potter in Denver. She gave a great deal
of time and energy to the clay community.
James and Nan McKinnell
James and Nan McKinnell
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
Sunday, May 8, 2011
Written by Roger Fillion
Data provided from Rocky Mountain News
Written by Roger Fillion
Subject: Pearl James
Pearl James was on a mission when she threww platters, casserols,
teapots and other ware on the potters wheel at her Denver studio. Mrs James would
desend the stairs to the studio, located in her home's basement at 8:am. and not
emerge until lunch. After lunch she went back to work returning to the upstairs
until 4:pm. to hae a cocktail. She was a member othe Colorado potters guild
Pearl James was a very important studio potter in Denver. She gave a great deal
of time and energy to the clay community.
Written by Roger Fillion
Subject: Pearl James
Pearl James was on a mission when she threww platters, casserols,
teapots and other ware on the potters wheel at her Denver studio. Mrs James would
desend the stairs to the studio, located in her home's basement at 8:am. and not
emerge until lunch. After lunch she went back to work returning to the upstairs
until 4:pm. to hae a cocktail. She was a member othe Colorado potters guild
Pearl James was a very important studio potter in Denver. She gave a great deal
of time and energy to the clay community.
Don and Joan Glasgow
Don and Joan Glasgow
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Saturday, May 7, 2011
Don and Joan Glasgow
Don and Joan Glasgow
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Searching for art created by John T. Haeseler
Searching for art created by John T. Haeseler
He was a great Colorado Artist
tom.turnquist@comcast.net
Also searching for Pottery by Ruth Perdew of Denver
Also Pottery by Ruth Perdew and William Tyner
He was a great Colorado Artist
tom.turnquist@comcast.net
Also searching for Pottery by Ruth Perdew of Denver
Also Pottery by Ruth Perdew and William Tyner
James and Nan McKinnell
James and Nan McKinnell
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
Ruth Perdew Potter
Ruth S. Perdew-Bio Sketch
Her interest in making pottery began after she took a class in pottery. Her teacher was noted Denver potter Maynard Tischler. She became very interested in learning how to become a
better potter.and make more complicated pots. She contined taking additional classes.
She had a friend who helped her get to the Colorado Potters Guild. She encouraged her
to apply for membership. She was accepted to the Colorado potters Guild. By being
a member, she entitled to you the kilns and all the neessary items for making pots.
During the years she was a member she made and sold many pieces. Most of the creations
were functional in nature.lile bowls, vases. Ruth worked with stoneware.Stoneware was
her chice of clay bodies. She was a vital clay artist who contributed much to denver clay.
She remains very interested in pottery and clay.
Ruth was also a noted piano teacher in Denver for over twenty years.
Her interest in making pottery began after she took a class in pottery. Her teacher was noted Denver potter Maynard Tischler. She became very interested in learning how to become a
better potter.and make more complicated pots. She contined taking additional classes.
She had a friend who helped her get to the Colorado Potters Guild. She encouraged her
to apply for membership. She was accepted to the Colorado potters Guild. By being
a member, she entitled to you the kilns and all the neessary items for making pots.
During the years she was a member she made and sold many pieces. Most of the creations
were functional in nature.lile bowls, vases. Ruth worked with stoneware.Stoneware was
her chice of clay bodies. She was a vital clay artist who contributed much to denver clay.
She remains very interested in pottery and clay.
Ruth was also a noted piano teacher in Denver for over twenty years.
Don and Joan Glasgow
Don and Joan Glasgow
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Friday, May 6, 2011
Politics and Pots
Politics and Pots
by Thomas G. Turnquist
All of life consists of many things including politics. Clay is not void of politics by any
stretch of the wildest imaginations. Each and every potter or clay artist has views or twists
that they cling to with some passion. A high perecntage potters and clay scuptors tend to
lean to the left when it comes to American politics. If you are a conservative in your views
and mention that fact to some clay artists you become a cretin and racist in their
closed minds. I have run into this on several occasions. If you do not march to the
tunes of the left, you become a malaprop. One would think that artists would be or should
be open and eager to discuss all matters in an adult and calm venue. The world of American
clay must be a home for change and growth and not a filter that blocks selected opposing
views.
I have been collecting American pottery for thirty years. Not once did I buy an artist's
work based on age, gender, or color. The only thing of importance was quality of
work. It is the work not the politics. It is the creativity. No one needs to be involved
in pettifoggery.
by Thomas G. Turnquist
All of life consists of many things including politics. Clay is not void of politics by any
stretch of the wildest imaginations. Each and every potter or clay artist has views or twists
that they cling to with some passion. A high perecntage potters and clay scuptors tend to
lean to the left when it comes to American politics. If you are a conservative in your views
and mention that fact to some clay artists you become a cretin and racist in their
closed minds. I have run into this on several occasions. If you do not march to the
tunes of the left, you become a malaprop. One would think that artists would be or should
be open and eager to discuss all matters in an adult and calm venue. The world of American
clay must be a home for change and growth and not a filter that blocks selected opposing
views.
I have been collecting American pottery for thirty years. Not once did I buy an artist's
work based on age, gender, or color. The only thing of importance was quality of
work. It is the work not the politics. It is the creativity. No one needs to be involved
in pettifoggery.
Ruth Perdw Pottery
Ruth was a Great Studio Potter in Denver
Her pottery is Sighed Ruth. A Great Colorado Studio Potter!!!!!
Ruth Perdew Potter
Ruth S. Perdew-Bio Sketch
Her interest in making pottery began after she took a class in pottery. Her teacher was noted Denver potter Maynard Tischler. She became very interested in learning how to become a
better potter.and make more complicated pots. She contined taking additional classes.
She had a friend who helped her get to the Colorado Potters Guild. She encouraged her
to apply for membership. She was accepted to the Colorado potters Guild. By being
a member, she entitled to you the kilns and all the neessary items for making pots.
During the years she was a member she made and sold many pieces. Most of the creations
were functional in nature.lile bowls, vases. Ruth worked with stoneware.Stoneware was
her chice of clay bodies. She was a vital clay artist who contributed much to denver clay.
She remains very interested in pottery and clay.
Ruth was also a noted piano teacher in Denver for over twenty years.
Her interest in making pottery began after she took a class in pottery. Her teacher was noted Denver potter Maynard Tischler. She became very interested in learning how to become a
better potter.and make more complicated pots. She contined taking additional classes.
She had a friend who helped her get to the Colorado Potters Guild. She encouraged her
to apply for membership. She was accepted to the Colorado potters Guild. By being
a member, she entitled to you the kilns and all the neessary items for making pots.
During the years she was a member she made and sold many pieces. Most of the creations
were functional in nature.lile bowls, vases. Ruth worked with stoneware.Stoneware was
her chice of clay bodies. She was a vital clay artist who contributed much to denver clay.
She remains very interested in pottery and clay.
Ruth was also a noted piano teacher in Denver for over twenty years.
Searching for pottery by Ruth Perdew, Jim and Nan McKinnell , Bill Tyner, Mel Jacobson,
Pearl James, and Larry Manning
tom.turnquist@comcast.net
Pearl James, and Larry Manning
tom.turnquist@comcast.net
Wednesday, May 4, 2011
James and Nan McKinnell
James and Nan McKinnell
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
Don and Joan Glasgow
Don and Joan Glasgow
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Tuesday, May 3, 2011
Don and Joan Glasgow
Don and Joan Glasgow
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Searching for art created by John T. Haeseler
Searching for art created by John T. Haeseler
He was a great Colorado Artist
tom.turnquist@comcast.net
Also searching for Pottery by Ruth Perdew of Denver
Also Pottery by Ruth Perdew and William Tyner
He was a great Colorado Artist
tom.turnquist@comcast.net
Also searching for Pottery by Ruth Perdew of Denver
Also Pottery by Ruth Perdew and William Tyner
Don and Joan Glasgow
Don and Joan Glasgow
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Monday, May 2, 2011
James and Nan McKinnell
James and Nan McKinnell
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
Searching for art created by John T. Haeseler
Searching for art created by John T. Haeseler
He was a great Colorado Artist
tom.turnquist@comcast.net
Also searching for Pottery by Ruth Perdew of Denver
Also Pottery by Ruth Perdew and William Tyner
He was a great Colorado Artist
tom.turnquist@comcast.net
Also searching for Pottery by Ruth Perdew of Denver
Also Pottery by Ruth Perdew and William Tyner
Politics and Pots
Politics and Pots
by Thomas G. Turnquist
All of life consists of many things including politics. Clay is not void of politics by any
stretch of the wildest imaginations. Each and every potter or clay artist has views or twists
that they cling to with some passion. A high perecntage potters and clay scuptors tend to
lean to the left when it comes to American politics. If you are a conservative in your views
and mention that fact to some clay artists you become a cretin and racist in their
closed minds. I have run into this on several occasions. If you do not march to the
tunes of the left, you become a malaprop. One would think that artists would be or should
be open and eager to discuss all matters in an adult and calm venue. The world of American
clay must be a home for change and growth and not a filter that blocks selected opposing
views.
I have been collecting American pottery for thirty years. Not once did I buy an artist's
work based on age, gender, or color. The only thing of importance was quality of
work. It is the work not the politics. It is the creativity. No one needs to be involved
in pettifoggery.
by Thomas G. Turnquist
All of life consists of many things including politics. Clay is not void of politics by any
stretch of the wildest imaginations. Each and every potter or clay artist has views or twists
that they cling to with some passion. A high perecntage potters and clay scuptors tend to
lean to the left when it comes to American politics. If you are a conservative in your views
and mention that fact to some clay artists you become a cretin and racist in their
closed minds. I have run into this on several occasions. If you do not march to the
tunes of the left, you become a malaprop. One would think that artists would be or should
be open and eager to discuss all matters in an adult and calm venue. The world of American
clay must be a home for change and growth and not a filter that blocks selected opposing
views.
I have been collecting American pottery for thirty years. Not once did I buy an artist's
work based on age, gender, or color. The only thing of importance was quality of
work. It is the work not the politics. It is the creativity. No one needs to be involved
in pettifoggery.
Politics and Pots
Politics and Pots
by Thomas G. Turnquist
All of life consists of many things including politics. Clay is not void of politics by any
stretch of the wildest imaginations. Each and every potter or clay artist has views or twists
that they cling to with some passion. A high perecntage potters and clay scuptors tend to
lean to the left when it comes to American politics. If you are a conservative in your views
and mention that fact to some clay artists you become a cretin and racist in their
closed minds. I have run into this on several occasions. If you do not march to the
tunes of the left, you become a malaprop. One would think that artists would be or should
be open and eager to discuss all matters in an adult and calm venue. The world of American
clay must be a home for change and growth and not a filter that blocks selected opposing
views.
I have been collecting American pottery for thirty years. Not once did I buy an artist's
work based on age, gender, or color. The only thing of importance was quality of
work. It is the work not the politics. It is the creativity. No one needs to be involved
in pettifoggery.
by Thomas G. Turnquist
All of life consists of many things including politics. Clay is not void of politics by any
stretch of the wildest imaginations. Each and every potter or clay artist has views or twists
that they cling to with some passion. A high perecntage potters and clay scuptors tend to
lean to the left when it comes to American politics. If you are a conservative in your views
and mention that fact to some clay artists you become a cretin and racist in their
closed minds. I have run into this on several occasions. If you do not march to the
tunes of the left, you become a malaprop. One would think that artists would be or should
be open and eager to discuss all matters in an adult and calm venue. The world of American
clay must be a home for change and growth and not a filter that blocks selected opposing
views.
I have been collecting American pottery for thirty years. Not once did I buy an artist's
work based on age, gender, or color. The only thing of importance was quality of
work. It is the work not the politics. It is the creativity. No one needs to be involved
in pettifoggery.
Data provided from Rocky Mountain News
Written by Roger Fillion
Subject: Pearl James
Pearl James was on a mission when she threww platters, casserols,
teapots and other ware on the potters wheel at her Denver studio. Mrs James would
desend the stairs to the studio, located in her home's basement at 8:am. and not
emerge until lunch. After lunch she went back to work returning to the upstairs
until 4:pm. to hae a cocktail. She was a member othe Colorado potters guild
Pearl James was a very important studio potter in Denver. She gave a great deal
of time and energy to the clay community.
Written by Roger Fillion
Subject: Pearl James
Pearl James was on a mission when she threww platters, casserols,
teapots and other ware on the potters wheel at her Denver studio. Mrs James would
desend the stairs to the studio, located in her home's basement at 8:am. and not
emerge until lunch. After lunch she went back to work returning to the upstairs
until 4:pm. to hae a cocktail. She was a member othe Colorado potters guild
Pearl James was a very important studio potter in Denver. She gave a great deal
of time and energy to the clay community.
James and Nan McKinnell
James and Nan McKinnell
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
by Thomas Turnquist
Pottery collectors view the work of James and Nan McKinnell as an important part of
of America's ceramic art history over the past fifty years. The McKinnells high standing
among collectors is based upon three major areas of contribution. First, the work producd
by Jim and Nan has been consisent and strong during their long partnership. The work has
always exhibited a near perfect balance of artist and artisan. The second major area
of contribution was teaching and ceramic education. The legacy and knowledge bestowed
by the McKinnells is nothing short of amazing. They have been a vital part of the diversity
and richness that pemeated ceramic education from the 1950s through the late1980s. Third,
the McKinnells provided the the ceramic commumity with improvements in kiln design. In
1950s they constucted soft-brick kilns. The were multi-chambered with the unique
advantage of being portable because the bricks were not joined by mortor. Jim and Nan,
in addition to kiln design, completed much reach om glazes and clay bodies.
The McKinnells are viewed by collectors and ceramic historians as major catalysts in
American clay. They, with such ceramic giants like the Heinos, the Scheiers, Glen Lukens,
and Harding Black have built the foundation for ceramic arts and hastened the acceptance
of clay as an art form by the art community.
Jim and Nan McKinnell provided to the collector work that was well designed, well thought
through, beautiful, and reflected their huge respect for the medium. They made many
strides forward, and each stride was accomplished with grace and dignity. Jim passed
away. Nan resides in Fort Collins Colorado.
PS
Jim McKinnell was my best man when Denise and I married. He will always be the "Best" man.
Pearl James Potter
Data provided from Rocky Mountain News
Written by Roger Fillion
Subject: Pearl James
Pearl James was on a mission when she threww platters, casserols,
teapots and other ware on the potters wheel at her Denver studio. Mrs James would
desend the stairs to the studio, located in her home's basement at 8:am. and not
emerge until lunch. After lunch she went back to work returning to the upstairs
until 4:pm. to hae a cocktail. She was a member othe Colorado potters guild
Pearl James was a very important studio potter in Denver. She gave a great deal
of time and energy to the clay community.
Written by Roger Fillion
Subject: Pearl James
Pearl James was on a mission when she threww platters, casserols,
teapots and other ware on the potters wheel at her Denver studio. Mrs James would
desend the stairs to the studio, located in her home's basement at 8:am. and not
emerge until lunch. After lunch she went back to work returning to the upstairs
until 4:pm. to hae a cocktail. She was a member othe Colorado potters guild
Pearl James was a very important studio potter in Denver. She gave a great deal
of time and energy to the clay community.
Don and Joan Glasgow Potters
Don and Joan Glasgow
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Sunday, May 1, 2011
Jim and Nan McKinnell's Pottery
Collectors of American studio pottery view Jim and Nan McKinnell's work as an
important part of Americs's ceranic history over the past fifty years. The
Mckinnell's high standing among collectos is based upon three major areas
contribution. They were great teacher, great artis and great kiln desiigners.
Their work will stand the test of time.
important part of Americs's ceranic history over the past fifty years. The
Mckinnell's high standing among collectos is based upon three major areas
contribution. They were great teacher, great artis and great kiln desiigners.
Their work will stand the test of time.
Don and Joan Glasgow Potters
Don and Joan Glasgow
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
Don Glasgow got his start in clay at the in 1964 University of Northern Colorado
when he was majoring in art at the University of Colorado. He was
requited to to take a ceramics. Once he got his hands dirty, there
was no turning back.
White attending College, they would have student art shows
and sales. After making a few and some money at pottery he realized
ther was future in selling pottery. Enough monery was made
at that time to purchase an air conditioner for car we had.
When I stated thowing on a kick wheel I realized Just maybe
I could do this.
In about 1972 Joan decided to give it a whirl. After all,
she said she had the best teacher around. Don said
she was the best student. he had.
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